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Friday, October 16, 2026
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Dance Luminary Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I'm Not Precious About My Body'

Within the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. His posture is effortlessly straight-backed, his limbs muscular beneath a simple tee. During performances, dancers can seem like mighty deities, yet frequently in person they are petite. Not so Ball, whose height is one reason for his popularity for princely roles and pas de deux work. With fine features and intense eyes, there's a touch of Robert Pattinson about him.

A Seamless Rise to the Pinnacle

At 31, Ball is experiencing the crest of a career that has progressed seamlessly. Growing up in Liverpool, he faced minimal teasing for his early passion in ballet. Entering the esteemed training institution at 11, he moved straight into the troupe and was advanced annually, attaining the top rank of principal in 2018. He has loved tackling substantial characters, particularly the emotional turmoil found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

His next featured role is as himself, in an "Evening With" event designed to offer behind-the-scenes insights into a dancer's art. He will walk the audience through a role, showing his cognitive workflow while performance. Yet in more comedic works, the test is profound. "A classic ballet is one of the most demanding technically," he notes.

The Mental Struggle and After the Show Feelings

How does he feel after a show, when he has pulled it off? "It's pretty good," he says. "However because I'm trying to extract all the juice out of it, and get immersed in the role, frequently I do feel embarrassed afterwards. Following an intense role I'm always like: Wow, what must people think?"

Offstage, Ball is reflective, polite, and prone to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Does this exist? "I am very active in general, but I do have a melancholy streak," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an instigator for positive change."

Formative Drivers and Creative Influences

His tenacity originated in youthful experiences. Not doing well in contests at school made him "vengeful!" This became motivation to prove he could achieve. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he remembers.

The next endeavor is creating his own choreography. In his view, "there's nothing wrong with." "Breaking the rules is interesting, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing ideas from books, music, and art.

Close-Up Performance and Personal Dynamic

He additionally is interested in staging dance in smaller spaces. "It was just really exciting," he says of a past experience. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has made duets with his partner, fellow principal Mayara Magri. The level of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." They are not usually paired on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Physical Image

On social media, fans can see clips from his dance films and photos that highlight a athletic physique. Does he mind that the response can be a bit objectifying? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—something that can be interpreted on multiple ways.

Ball characterizes his younger self as "eager for success." Has it lived up to his hopes? "I feel very aware of how life is a different thing to the dreams you had as a child," he muses. He probably has about ten years of performing ahead. "I suppose in the future, I want to be a bit more gentle with myself."

Written by

Steven Johnson

Marcus is a UK-based tech journalist with over a decade of experience covering emerging technologies and digital trends.

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